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In a simple code each sign has only one meaning, and each meaning is associated with only one sign. This one-to-one relationship is not realised in natural languages. When several related meanings are associated with the same group of sounds within one part of speech, the word is called polysemantic, when two or more unrelated meanings are associated with the same form — the words are homonyms, when two or more different forms are associated with the same or nearly the same denotative meanings — the words are synonyms. |
The place of proverbs, sayings and familiar quotations with respect to set expressions is a controversial issue. A proverb is a short familiar epigrammatic saying expressing popular wisdom, a truth or a moral lesson in a concise and imaginative way. Proverbs have much in common with set expressions, because their lexical components are also constant, their meaning is traditional and mostly figurative, and they are introduced into speech ready-made. That is why some scholars following V.V. Vinogradov think proverbs must be studied together with phraseological units. Others like J. Casares and N.N. Amosova think that unless they regularly form parts of other sentences it is erroneous to include them into the system of language, because they are independent units of communication. N.N. Amosova even thinks that there is no more reason to consider them as part of phraseology than, for instance, riddles and children’s counts. This standpoint is hardly acceptable especially if we do not agree with the narrow limits of phraseology offered by this author. Riddles and counts are not as a rule included into utterances in the process of communication, whereas proverbs are. Whether they are included into an utterance as independent sentences or as part of sentences is immaterial. If we follow that line of reasoning, we shall have to exclude all interjections such as Hang it (all)! because they are also syntactically independent. As to the argument that in many proverbs the meaning of component parts does not show any specific changes when compared to the meaning of the same words in free combinations, it must be pointed out that in this respect they do not differ from very many set expressions, especially those which are emotionally neutral. |
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Set expressions have their own specific features, which enhance their stability and cohesion. These are their euphonic, imaginative and connotative qualities. It has been often pointed out that many set expressions are distinctly rhythmical, contain alliteration, rhyme, imagery, contrast, are based on puns, etc. These features have always been treated from the point of view of style and expressiveness. Their cementing function is perhaps no less important. All these qualities ensure the strongest possible contact between the elements, give them their peculiar muscular feel, so that in pronouncing something like stuff and nonsense the speaker can enjoy some release of pent-up nervous tension. Consider the following sentence: Tommy would come back to her safe and sound (O'Flaherty). Safe and sound is somehow more reassuring than the synonymous word uninjured, which could have been used. |
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There is a pressing need for criteria distinguishing set expressions not only from free phrases but from compound words as well. One of these criteria is the formal integrity of words which had been repeatedly mentioned and may be best illustrated by an example with the word breakfast borrowed from W.L. Graff. His approach combines contextual analysis and diachronic observations. He is interested in gradation from free construction through the formula to compound and then simple word. In showing the borderline between a word and a formular expression, W.L. Graff speaks about the word breakfast derived from the set expression to break fast, where break was a verb with a specific meaning inherent to it only in combination with fast which means ‘keeping from food’. Hence it was possible to say: And knight and squire had broke their fast (W.Scott). The fact that it was a phrase and not a word is clearly indicated by the conjugation treatment of the verb and syntactical treatment of the noun. With an analytical language like English this conjugation test is, unfortunately, not always applicable. |
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The flexibility of the English vocabulary system makes a word formed by conversion capable of further derivation, so that it enters into combinations not only with functional but also with derivational affixes characteristic of a verbal stem, and becomes distributionally equivalent to it. For example, view ‘to watch television’ gives viewable, viewer, viewing. Conversion may be combined with other word-building processes, such as composition. Attributive phrases like black ball, black list, pin point, stone wall form the basis of such firmly established verbs as blackball, blacklist, pinpoint, stonewall. The same pattern is much used in nonce-words such as to my-dear, to my-love, to blue-pencil. |
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In this paragraph we present the types of conversion according to parts of speech and secondary word classes involved. By secondary word classes we mean lexico-grammatical classes, that is subsets within parts of speech that differ in meaning and functions, as, for instance, transitive and intransitive verbs, countable and uncountable nouns, gradable and non-gradable adjectives, and so on. |
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Back-formation (also called reversion) is a term borrowed from diachronic linguistics. It denotes the derivation of new words by subtracting a real or supposed affix from existing words through misinterpretation of their structure. The phenomenon was already introduced in § 6.4.3 when discussing compound verbs. |
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The great majority of motivated words in present-day language are motivated by reference to other words in the language, to the morphemes that go to compose them and to their arrangement. Therefore, even if one hears the noun wage-earner for the first time, one understands it, knowing the meaning of the words wage and earn and the structural pattern noun stem + verbal stem+ -er as in bread-winner, skyscraper, strike-breaker. Sound imitating or onomatopoeic words are on the contrary motivated with reference to extra-linguistic reality, they are echoes of natural sounds (e. g. lullaby, twang, whiz.) |
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Some otherwise homographic, mostly disyllabic nouns and verbs of Romanic origin have a distinctive stress pattern. Thus, 'conduct n ‘behaviour’ is forestressed, whereas con'duct v ‘to lead or guide (in a formal way)’ has a stress on the second syllable. Other examples are: accent, affix, asphalt, compact (impact),1 compound, compress (impress), conflict, contest, contract (extract), contrast, convict, digest, essay, export (import, transport), increase, insult, object (subject, project), perfume, permit, present, produce, progress, protest, rebel, record, survey, torment, transfer.2 Examples of words of more than two syllables are very few: |
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Sound interchange may be defined as an opposition in which words or word forms are differentiated due to an alternation in the phonemic composition of the root. The change may affect the root vowel, as in food n : : feed v; or root consonant as in speak v : : speech n; or both, as for instance in life n : : live v. It may also be combined with affixation: strong a : : strength n; or with affixation and shift of stress as in 'democrat : : de'mocracy. |
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